After a quick visit to Honest Jon's, Laurel Halo swings again at London's Hyperdub. It's a slow, mainly vocal based swing. A bit like she did on her debut 'Quarantine'. As if there were conditions attached to her return. 'You will sing again.'
Rembo' is reminiscent of 'Rambo'. Fight and win. Sweat and punch. Karen Gwyer has her own duel in her songs. Meandering versus techno beats. Swooning versus overpowering. It's a tight battle in which Karen Gwyer, against her habit, limits the length of her tracks to gripping lengths.
‘They are so good, sir’. The youth. Political consciousness was in the background and nobody seemed to want to combine music with a message anymore. That seems to be changing. Politically conscious musicians surround themselves with like-minded people in shovel-kicking collectives.
Hotflush Records had been ignored for some time as all the fun of musical discovery was on a lukewarm fire. Until a secret tipster urged to give PYUR a listen. And listen, and listen, and listen... like a new addiction; during sleepless nights, early morning flights and when thoughts are filled with a longing.
It is hard to imagine another artist with whom 'growing' is so beautiful. The big steps Klara Lewis has taken since 'Ett' and 'Msuic' are enviable. Too' is reminiscent of nothing.
After years of touring as Evangelista, Carla Bozulich shakes off her alter ego and plunges into the wonderful world of pop with "Boy". Pop as Bozulich understands it.